（莫扎特《伊多美纽斯》全谱）Idomeneo in Full Score umd mobi chm 夸克云 免费 azw3 下载 pdf

In the summer of 1780, Mozart received a commission from Munich to write an opera seria-a form of opera that catered to 18th-eentury tastes for stories with classical and mythological subiects and for musical scores that provided ample opportunities for bravura singing.Idomeneo, first performed at the Court Opera in Munich early in 1781, triumphantly reveals the young composer at the summit of his powers. Rather than the stereotypical score that was often little more than a thinly contrived excuse for exhibitionistic singing, Mozart's music was rich in dramatic force and heroic emotion, with a new emphasis on choral singing and exceptionally full and elaborate scoring-qualities amply demonstrated in this authoritative full-score edition of the opera.

High drama asserts itself in the scene most crucial to the plot: caught in a storm at sea, King Idomeneus of Crete has promised Neptune that if spared from imminent shipwreck he will sacrifice the first person he sees when he reaches land. As he touches shore, the first person the king sees is his son Idamantes. The exciting drama that follows, brought to life by Mozart's masterly score, will delight opera lovers, singers, musicians and music students. Idomeneo is reprinted here from the authoritative full-score edition published by Breitkopf & H/irtel.

Dover (1992) republication of Idomeneo, Re di Creta, ossia: Ilia ed Idamante from Wol[gang Amadeus Mozart's Werke, published by Breitkopf & Hfirtel, Leipzig, 1881. Lists of instruments and characters. 384pp. 93/8 121/4. Paperbound.

Overture

ACT ONE　

　RECITATIVE: Quando avian fine omai (Ilia)

　ARIA: Padre, germam, addio! (Ilia)

　RECIT.: Ecco, Idamante--Radunate i Trojani (Ilia, Idamantes)

　ARIA: Non ho colpa {Idamantes)

　RECIT.: Ecco il misero resto de' Trojani (Ilia, Idamantes)

　CHORUS: Godiam la pace, trionfi Amore (Trojans and Cretans)

　RECIT.: Prence, signor--Estinto h Idomeneo? (Electra, Idamantes, Arbaces)

　ARIA: Tutte nel cor vi sento (Electra)

　CHORUS: Pietfi! Numi, pietfi! (Shipwrecked Men, Men on Shore)

　RECIT.: Ecco ci salvi al fin (Idomeneus)

　ARIA: Vedrommi intorno l'ombra dolente (Idomeneus)

　RECIT.: Cieli! che veggo!--Spiagge romite (Idomeneus, Idamantes)

　ARIA: I1 padre adorato ritrovo (Idamantes)

　MARCH

　CHORUS (Ciaccona): Nettuno s'onori! (Cretan Soldiers and Women)

ACT TWO

　RECIT.: Siam soli, odimi Arbace (Idomeneus, Arbaces)

　ARIA: Se il tuo duol (Arbaces)

　RECIT.: Se mai pomposo apparse (Ilia, Idomeneus)

　ARIA: Se il padre perdei (Ilia)

　RECIT.: Qual mi conturba i sensi (Idomeneus)

　ARIA: Fuor del mar ho un mar in seno (Idomeneus)

　RECrT.: Frettolosa e giuliva (Idomeneus, Electra)

　ARIA: Idol mio, se ritroso altro amante (Electra)

　MARCH

　RECrT.: Sidonie sponde (Electra)

　CHORUS: Placido h il mar, andiamo (Argives, Cretans and Sailors

　RECIT.: Vatene prence (Idomeneus, Idamantes)

　TRIO: Pria di partir, o Dio! (Idamantes, Electra, Idomeneus)

　CHORUS: Qual nuovo terrore! (Idomeneus' Retinue)

　REClT.: Eccoti in me, barbaro Nume! (Idomeneus)

　CHORUS: Corriamo, fuggiamo (Idomeneus' Retinue)

ACT THREE

　RECIT.: Solitudini amiche (Ilia)

　ARIA: Zeffiretti lusinghieri (Ilia)

　RECIT.: Ei stesso vien--Principessa (Ilia, Idamantes)

　DUET: S'io non moro a questi accenti (Idamantes, Ilia)

　RECIT.: Cieli! che vedo? {Idomeneus, Electra, Idamantes, Ilia)

　QUARTETI Andr6 ramingo e solo (Idamantes, Ilia, Idomeneus, Electra)

　RECIT.: Sire, alla reggia tua--Sventurata Sidon! (Arbaces, Ilia, Idomeneus,Electra)

　ARIA: Se cola ne' fati h scritto (Arbaces)

　RECIT.: Volgi intorno lo sguardo (High Priest)

　CHORUS: O voto tremendo! (High Priest, Priests and Populace)

　MARCH

　ARIA WITH CHORUS: Accogli, o r~ del mar (Idomeneus, Priests)

　CHORUS: Stupenda vittoria! (Populace)

　RECIT.: Qual risuona--Padre, mio caro padre! (Idomeneus, Arbaces,

　Idamantes)

　ARIA: No, la morte (Idamantes)

　RECIT.: Ma, che pig tardi?--Ferma, o Sire, che fai? (Idamantes,

　Idomeneus, Ilia, High Priest, Electra, Arbaces)

　RECIT.: Ha vinto amore (Voice of Poseidon)

　REClT.: Oh ciel pietoso! (Idomeneus, Idamantes, Ilia, Arbaces, Electra)

　ARIA: D'Oreste, dAjace (Electra)

　RECIT.: Popoli! (Idomeneus)

　ARIA: Torna la pace al core (Idomeneus)

　CHORUS: Scenda Amor, scenda Imeneo (Populace)

　Appendix: Alternative versions of 13 passages

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书籍介绍

Considered to be the greatest of all opera seria, and one of the few Mozart works to portray heroic emotions seriously. Lavish with arias, it is also one of the most fully and elaborately scored of all of Mozart's operas. Reprinted from the full-score edition published by Breitkopf & Härtel of Leipzig.