The Cambridge Introduction to Shakespeare's Comedies（ISBN=9780521672696） umd mobi chm 夸克云 免费 azw3 下载 pdf

　　Why did theatre audiences laugh in Shakespeare's day? Why do

they still laugh now? What did Shakespeare do with the conventions

of comedy that he inherited, so that his plays continue to amuse

and move audiences? What do his comedies have to say about love,

sex, gender, power, family, community, and class? What place have

pain, cruelty, and even death in a comedy? Why all those puns? In a

survey that travels from Shakespeare's earliest experiments in

farce and courtly love-stories to the great romantic comedies of

his middle years and the mould-breaking experiments of his last

decade's work, this book addresses these vital questions. Organised

thematically, and covering all Shakespeare's comedies from the

beginning to the end of his career, it provides readers with a map

of the playwright's comic styles, showing how he built on comedic

conventions as he further enriched the possibilities of the

genre.

Preface

1 Introduction: comedy as idea and practice

2 Farce: The Comedy of Errors, The Taming of the Shrew, The Merry

Wives of Windsor

3 Courtly lovers and the real world: Two Gentlemen of Verona, A

Midsummer Night’s Dream, The Merchant of Venice

4 Comedy and language: Love’s Labour’s Lost

5 Romantic comedy: Much Ado About Nothing, As You Like It, Twelfth

Night

6 Problematic plots and endings: clowning and comedy post-Hamlet :

Measure for Measure, All’s Well That Ends Well, The Winter’s Tale,

Cymbeline, The Tempest

7 The afterlives of Shakespeare’s comedies

Conclusion

Further reading

Notes

Index

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书籍介绍

Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this 2008 book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.